Dang, I’ll be at NYC Popfest, otherwise I’d love to see author Richard Price in person at the 15th-annual Jersey City Landmarks Conservancy Awards. Here’s the preview I wrote for the Jersey City Independent.
Movie Review: Mad Max: Fury Road
4 stars out of 5
I have very vague recollections of the original batch of Mad Max films. The Road Warrior, I’m pretty sure I saw on home video. And then I think we rented Mad Max after the fact? Yet all I remember is dust and cars and angry Australians. I definitely didn’t see Bed, Bath & Beyond Thunderdome. Tina Turner in a bloated unnecessary action sequel? No thanks, said teenage me. (Though I have enjoyed saying, “Whoa, that is totally beyond Thunderdome!” many, many times in the subsequent decades.)
Flash-forward 30 years, and I had no idea what to expect from a new Mad Max movie. No Mel Gibson; I guess he’s in sensitivity training or something. I did love a recent Letterman top-10 entry on why Max is so mad: “Instead of Fury Road, GPS sent him to Fury Lane.”
Well, I did go to see the new installment, I paid the 3-D surcharge, and… I enjoyed the hell out of this movie. It is bravura filmmaking! And as I watched it, I thought, “This makes Avengers: Age of Ultron look like a real piece of shit.”
Big kudos to 70-year-old George Miller, the co-writer/director behind all the Mad Max films. With the breathless pace of this movie in the early-going, you might guess it was the work of a young, edgy auteur. But the old dog Miller has some new tricks. We’re right there in the middle of the action, and it’s a blast. Dark and claustrophobic one second, bright and wide-open the next.
Miller strips everything down to the basics: Cars, girls, guns, and rock ‘n roll. Autos are completely fetishized in this post-apocalyptic landscape. The mean old ruler sends his minions across the desert on a supply run, for gas and bullets. Except the War Rig driver, Charlize Theron, has other ideas. She’s made off with the pretty young things that the bad guy wants to impregnate. Theron’s plan: Drive off-course and get them to safety at the magical “Green Place” on the other side of the desert. (Paging Mr. Gatsby!) Charlize has one arm, a head shaved like Sinéad, and nothing compares to her. She may not be as kickass as Ripley in Aliens but Theron’s still tough and smart with a pleasing hint of vulnerability.
Wait a dust-covered minute!! Where’s Max?? The skinny minions sent to track down Charlize are using robust Max as a “blood bag.” I have zero idea what this means, or why he’s seemingly the only person being used in this manner, strapped to the front of the car, but it’s kind of cool so whatever. (On another vehicle, there’s a heavy-metal guitarist on a stage in front, providing much of our soundtrack.)
Spoiler alert: Max escapes and joins forces with Charlize Theron.
Max is played by Tom Hardy, who was Bane in that overblown Batman movie. Once again he’s got a metal thing over his mouth and grumbles incoherently. Typecasting alert! But as the movie progresses and Max gets a wee bit less mad, Hardy gets to do some actual acting and he’s pretty solid.
The action sequences are great, the cinematography is frequently stunning (the 3-D is actually worth it, with a great overall sense of depth and some cool jump-at-you elements), and the minor characters all have Australian accents. Plus, whatever plot there is includes a generous helping of girl power, not often seen in movies like this. Actually, there aren’t a lot of movies like this, and that may be its top selling point. Fury Road never feels like paint-by-the-numbers Hollywood garbage. George Miller has his own screwy Antipodean vision and he realizes it in a big way. You’ll have fun, fun, fun till Maddy puts the War Rig away.
My Internet Radio Playlist, 5/19/15
EPISODE #181: DAVID LETTERMAN TRIBUTE
The Who — “Happy Jack” [THEME]
Paul Shaffer — “Late Night Theme”
The Beach Boys — “Johnny Carson”
Booker T. & the MG’s — “Time Is Tight”
Keith Richards — “Take It So Hard”
R.E.M. — “So. Central Rain”
David Sanborn — “The Dream”
Bruce Springsteen — “Glory Days”
Tom Waits — “All the World Is Green”
Pearl Jam — “Betterman”
Ben E. King — “Stand by Me”
Simon & Garfunkel — “America”
Darlene Love — “Long Way To Be Happy”
Warren Zevon featuring David Letterman — “Hit Somebody! (The Hockey Song)”
Bob Dylan — “Jokerman”
broadcast live from Hoboken, NJ, on “Jack’s Aquarium”
Tuesday, 5/19/15, 10:00-11:15 a.m. eastern time
Sixth Annual Jersey City Ward Tour
Get on your bikes and ride! My preview in the Jersey City Independent of the sixth-annual Ward Tour, to be held Sunday, June 7.
Thanks, Dave
Did David Letterman have an impact on my life? Well, he changed the way I speak, so I guess that’s kind of a big deal. You see, I unconsciously drop the word “the” into sentences where that word isn’t really necessary, just like Dave does. “Are you familiar with the Instagram, Paul?” “I finally signed up for the Netflix.” “Are you like me, do you enjoy the baseball?” etc. And then the person I’m talking to almost always says back, slightly mocking, “the Instagram?!?” What can I say, at some point in the past 35 years, it just kind of seeped into my brain.
Back in the summer of 1980, between 5th and 6th grades, I don’t know who in my household flipped on The David Letterman Show one morning. Me? My sister? My mom? I don’t know, but I was immediately hooked. Rich Hall was really funny. So were Edie McClurg and Valri Bromfield. Edwin Newman read the news. Loudon Wainwright III sang about a dead skunk in the middle of the road.
A couple of years later, I’d bought a small black-and-white TV with my bar mitzvah money. And so, in my room, I’d watch Johnny Carson’s monologue every night before bed. In 7th or 8th grade, my friend Glenn and I did a stand-up routine at the school talent show. The next year Glenn had moved away, so I decided to go solo. Except on the night of the talent show, I was going to be out of town for some reason. So I tape-recorded my comedy routine, which was then played in the auditorium to accompany a slideshow of me that my buddy Jeff helped make. Also, in a daily writing exercise in Language Arts class, I created my own talk show, hosted by a character named Rod Parker.
What I’m saying is, I really liked this stuff.
Carson was a huge influence, sure. A freshman-year talk-show video project we did (Of Mice and Men via The Rod Parker Show, co-starring Amit, filmed by Kenny) utilized Ed McMahon’s Tonight Show intro. But it’s quite telling that just two years later, our MacBeth video project (co-starring Steve and Rob, filmed by good ol’ Kenny) was a top-to-bottom ode to Letterman, including our “Stupid Apparition Tricks.”
By then, my family owned a VCR. I taped Late Night Monday through Thursday, and then would watch them all in one weekend sitting, fast-forwarding through commercials. (Yes, I invented binge-watching.) I taped over them but saved a few “important” episodes, such as David Letterman’s Tri-State special from October 26, 1985, and one from a couple of weeks later with a segment called “Meat Bags.”
I was 16 years old and obsessed. Show after show after show, so many classic bits. I remember the first night they did a top-ten list. When Late Night With David Letterman: The Book came out in the fall of 1985, I bought it right away. I’d end up purchasing a number of show-related books over the years. And tangentially show-related books as well.
I bought magazines too. Newsweek, February 3, 1986: “Staying Up Late With Letterman.” Read it on a Model United Nations trip. There were a couple of sentences in there that resonated very powerfully. Dave said that in school, he wasn’t a jock, or a popular kid, or a smart kid. Instead, he was with the people who sat in the back and made fun of the jocks, the popular kids, the smart kids. I thought, hey, that’s kind of how I feel. That’s the way to be.
I went off to college in Pittsburgh and was now staying awake to watch (often with my buddy Todd). When I graduated with a degree in creative writing, my first “application” was to Late Night With David Letterman. I sent in a page of jokes I’d written (“I get so few phone calls, the outgoing message on my answering machine is ‘Sorry, you’ve reached a wrong number.'”) and some copies of my college-paper comic strip. I explained that I’d take any sort of job they had.
It was the only job I wanted.
Shortly after, I received an envelope from NBC, returning my submissions. The note said they did not read any unsolicited material. But, how did you get solicited? I was absolutely heartbroken.
I landed a not-TV-writing job in central Jersey. Steve and I went to see favorite comedians from Letterman, such as Gilbert Gottfried and Jake Johannsen, at Catch a Rising Star in the Princeton Hyatt. (In high school, Steve and I had gone to see Jay Leno at the Club Bené in Morgan, New Jersey; we loved him on Letterman.)
By the late summer of 1992, I was working in New York City. My college friend Mary kindly introduced me to her coworker Jennifer, and we hit it off and started dating. But very soon I became scared or bored or both, and wanted out of the relationship. Ah, but Jennifer had obtained Letterman tickets! So I had to hang in there for at least a couple of weeks more. That was September 29, 1992: Tim Allen, Glenn Frey, Claudia Schiffer. In the lobby of 30 Rock I shook hands with Chris Farley. That was cool.
By that point, Carson had already been retired for four months. (I taped and saved his final broadcast.) On June 25, 1993, Letterman did his final Late Night (taped it, saved it), and on August 30, the Late Show debuted (taped, saved).
It was now a slicker show, with a bigger band, and not quite as wacky. But Letterman was still Letterman, so I had no real complaints. Dave was going for that big 11:30 audience, the late-night brass ring, and for a while, he genuinely had it. I was proud.
Shortly after the switch to CBS, I began dating another Letterman-appreciating woman. Oh how we enjoyed “The Strong Guy, The Fat Guy, The Genius” (April 8, 1994). And yes, we saw Cabin Boy together in the theater. Would you like to buy a monkey?
In late 1996, I went to a Late Show taping for the first time, with my buddy Russell. Bigger, brighter studio. I remember where we sat but not who the guests were. Huh!
In very late 1996, things went south with the girlfriend. It got kind of ugly, not at all helped by the fact that we worked in the same department. And yet, a few months later when she left the job too, I had a gift for her: a pair of Letterman tickets that I’d scored.
That was me saying that despite it all, I cared, that she’d been important to me.
I didn’t attend another Late Show taping until May 14, 2004: Me and Steve at the “4 a.m. Show.” Yes, the audience actually came in at 4:00 in the morning. Guests were Amy Sedaris, author Robert Sullivan, Modest Mouse. And everybody got Egg McMuffins. Awesome.
And then nearly a decade passed until we went again: May 1, 2014 (aired on May 2). But of course Steve and I had to go; a month earlier, Dave had announced he was retiring, so we had to pay our respects. Comedian Carmen Lynch was funny, and it was cool to see Sean Lennon in his project Ghost of a Saber Tooth Tiger. But the absolute highlight was Don Rickles, the legend, in person. Wow!
I thought that was probably it for me, but then my friend Deb came through with some tickets. Nice! So this past February 12, I headed once more to the Ed Sullivan Theater. Luck was really on our side: the great Tom Hanks (another favorite from my youth) was the main guest, a last-minute replacement for freshly scandal-ridden Brian Williams. And, whoa, we were seated in the front row!
Then things got even more surreal. During Dave’s pre-show Q&A with the audience, Deb raised her hand and pointed out that she and Dave had shared an elevator in a hospital some years back. Later, when the actual taping began, the first words out of Letterman’s mouth: “Good evening, ladies and gentlemen. Welcome to the Late Show, thank you very much. The doctor will see you now.” And the camera cut to where Deb and I were sitting. So that’s a real nice memory for me, to be shown laughing at Letterman on national TV.
And now, the end is truly near. Ever since Dave announced his retirement, I’ve made an effort to watch as much as possible—at least the monologue and opening comedy segments. As years had gone by, I wasn’t watching quite as much. I don’t know, the Internet has been incredibly distracting, and then smartphones? Yikes. It takes some real effort to sit there and genuinely pay attention to the TV.
And the show changed too. By his own admission, Dave wasn’t putting in as much effort in recent years; goodbye to those great segments outside the studio. Becoming a dad, his priorities changed. I have to admit that I’ve found it a little annoying in Dave’s fatherhood era that he asks every guest about their kids. But, in retrospect, I guess it’s kind of sweet.
Still, even through changes in my life, Dave’s life, the world, the show, I’ve never been less than fiercely loyal. Didn’t watch Leno, didn’t watch Colbert, don’t watch Kimmel, Wilmore, Fallon. It’s been Dave or nothing, always.
My college friend Frank and I have exchanged a series of succinct emails and texts over the past 20-plus years: Martin Short on Letterman tonight. Steve Martin on Letterman tonight. Bill Murray. Chris Elliott. Jeff Altman.
I simply cannot overstate Letterman’s impact on me. I define myself first and foremost as being funny. (I never did get a TV job, but I do get to write funny things fairly often, plus I emcee shows, and am on the Internet radio, so I certainly get my fix.) And no other person has remotely shaped my sense of humor—my overall sensibility—like David Letterman has. Early on they said he was mean, but he never seemed mean to me. They were just jokes. Every bit of it connected with me so much—the sarcasm, absurdity, smartness, and the absolute refusal to be a phony.
We grow up, we get older, things change, and things go away. I’ve slowly come to terms with all that, and try not to let changes rattle me too much. And yet, some losses can still really punch you in the gut. This show has been such a reliable comfort for me for so very long, through so many other changes. It’s been a day-in, day-out continuum, holding my hand from my teen years up until today. As clichéd as it seems, they really do seem like friends to me, like family: the band, writers, crew. I’m going to miss it so much. It’s really strange to think about. Strange, and sad, and a little scary.
Yet, when all is said and done, I keep coming back to the extreme appreciation I feel. So thank you for all the laughs, for all the years, for helping me to become the person that I am. Thank you so much, David Letterman.
And at least I’ll always have my pile of completely obsolete VHS tapes.
Forgotten Yogi Berra Quotes
Happy 90th birthday to New York Yankees legend Yogi Berra! (To put that in perspective, that’s a full three years older than any of the current Yankees.) A Hall of Famer with tremendous prowess as both a hitter and a catcher, Berra is equally known for his beloved Yogi-isms, such as “It ain’t over till it’s over.”
Amazingly, Salt in Wound has uncovered some heretofore unpublished Yogi Berra quotes, all destined to become oft-repeated classics. Enjoy!
• “Baseball is like football except with a stick and you hit the ball and then you run around the bases and the thing at the end of the year is called the World Series instead of being called the Super Bowl.”
• “Two plus two is five. It isn’t? Jeez Louise, I must be a $&^@#£ moron.”
• “Hurry up with that soup, Captain!”
• “Marriage is defined as one man and one woman and one player to be named later.”
• “Sorry fellas, my throat is sore today and I don’t know if I’ll make it to the end of
• “There’s only three colors: blue, red, green. Say different and I’ll punch you.”
• “The rain in Spain falls mainly on the plain, which meteorologically speaking is highly unusual.”
• “A rabbit is just a carrot but with a furry long-eared thing eating it and then minus the carrot.”
• “Cette étude publie également une mesure des performances des… holy cannoli what are these devil words comin’ outta my stinkhole?”
• “Winning isn’t everything. There’s also bananas. And flagpoles.”
My Internet Radio Playlist, 5/12/15
EPISODE #180: ASK JACK, INSTALLMENT 10
The Who — “Happy Jack” [THEME]
The Smiths — “Ask”
Question from Audrey:
Here’s a question for ASK JACK that’s been bugging me for almost a year: Last Summer at a Rascal Flatts concert, the woman sitting behind me knew every word to every song and was enthusiastically singing along, to the point where the sound of HER voice in my ear was drowning out the voices of Rascal Flatts! If this happens again, should I turn around and politely ask her not to sing so loudly? I know that part of the fun at concerts is to sing and dance along with your favorite band, but after all, I paid to hear Rascal Flatts sing, not this woman!
Post-answer song:
Nirvana — “In Bloom”
Question from Jack Mello:
White shoes before Memorial Day… still a faux pas?
Post-answer song:
The Mount McKinleys — “White Shoes”
Question from Deb:
What’s with ‘vocal fry’?
Post-answer song:
Frank Zappa w/ Moon Unit Zappa — “Valley Girl”
Question from Chris:
Is Twitter an appropriate place to ask semi obscure punk rock guitarists when their previous band’s second record got remixed? The CD version i grew up with is like, noticeably different than the original issue vinyl i picked up lately…
Post-answer song:
Squirrel Bait — “Mixed Blessing”
Question from Natalie:
I’m at the age where I just refuse to do things I’m not interested in doing just to be nice. I don’t want to do it, I’m not going to do it. I don’t like you, I’m not going to fake it. Problem is, how do you politely tell your friend, “I like you, I’d hang out with you, but I kind of want to push your friend off a cliff”?
Post-answer song:
They Might Be Giants — “Your Racist Friend”
Question from Efrain:
What’s more useless… the Apple Watch or the movie Aloha?
Post-answer song:
Johnny Cash — “Aloha Oe”
Question from Kate:
Here’s my question for the Ask Jack show. As you know, I love love love love Crowded House and the music of Neil Finn. I have brought every album. However, I wonder if I have enjoyed the most recent ones as much. I suspect a new Crowded House album might be on the way. Should I buy it for old time’s sake?
Post-answer song:
Crowded House — “Inside Out”
Question from Ben:
Why is Spain? Who is the future?
Post-answer song:
Velvet Monkeys — “The Future”
Question from Wacked Out in West Virginia:
Stephen Wright never explained why people park on a driveway & drive on a parkway… but I thought you, Jack, would be able to answer such things.
Post-answer song:
Superchunk — “Driveway to Driveway”
Question from Howard:
Why 11 dimensions in M theory!!??
Post-answer song:
The Byrds — “5D (Fifth Dimension)”
Question from Mary:
Did you buy the Pretty in Pink soundtrack in high school? I did. It was popular.
Post-answer song:
Suzanne Vega featuring Joe Jackson on piano — “Left of Center”
Question from Amy:
In the words of Jerry Garcia: What would be the answer to the Answer Man?
Post-answer song:
The Alan Parsons Project — “Don’t Answer Me”
broadcast live from Hoboken, NJ, on “Jack’s Aquarium”
Tuesday, 5/12/15, 10:00-11:30 a.m. eastern time
Movie Review: Ex Machina
4 stars out of 5
Sci-fi, you see, while seemingly about the FUTURE, is really about NOW, ya dig? Godzilla was about nuclear annihilation and Planet of the Apes was about civil rights and Ex Machina is about… uh… Google. We like looking stuff up but then we’re, like, afraid of these companies having all our info.
So we take that underlying premise and wrap it in a “artificial intelligence is good but what if the computers get too smart?” storyline (what is this? Avengers: Age of Ultron?) and throw in a sexy robot lady and this could have been monumentally stupid. But, it’s not! It’s smart and creepy and really cool. And did I mention there’s a sexy robot in it.
Our main characters are isolated here, reminding me of both 2001 and the awesome Moon. Actually, a little more like Moon because Ex Machina shares a similar artsy, very quiet feel. We’ve got three individuals: search-engine zillionaire genius Oscar Isaac (he was Llewyn Davis), earnest young fella Domhnall Gleeson (he was one of Ron Weasley’s older brothers), and sexy robot Alicia Vikander (I don’t know nuthin’ about her but she looks kinda like Natalie Portman). The young guy works at the search-engine company and wins a contest to visit the boss’s secret compound. Arriving there, he finds out that he gets to test the A.I. on a sexy robot.
Oscar Isaac is terrific in this movie. I hope he continues to get a lot of work, maybe roles that Mark Ruffalo is too busy to take. Isaac really has fun here as a type-A jerk with a chill, friendly exterior yet with an air of menace always a millisecond away. Gleeson, as the young fella (who represents us, the viewer!), is a perfect balance to his boss: He’s introverted and under-confident. Completing the triumvirate: oh, right, a sexy robot. There hasn’t been a robot this sexy since the Bride of Pin•Bot.
Scenes play out in this “desert island” setting, seemingly just a few weeks in the future. Feels a little like a play, a little like a short story. Writer/director Alex Garland (who wrote the novel The Beach, which I never read or saw, but who also wrote 28 Days Later, which was great and one of these days I’ll finally buy the soundtrack) slowly, slowly builds the tension in this thriller, as things get more disturbing, more claustrophobic (we’re constantly indoors). Oh, this soundtrack is excellent too, really helping set the cold, uncomfortable mood. I noticed Geoff Barrow from Portishead in the credits.
So, really nice work all around: writing, direction, performances, music.
And also, there’s a sexy robot.
Movie Review: Avengers: Age of Ultron
3 stars out of 5
Eh, go see it if you want to. Stuff blows up, people fly around. I expected a little more but, dashed hopes and I are dear old friends.
The thing is, I thought that first Avengers movie was pretty great. Instead of the doom-and-gloom, muted palate of so many recent superhero movies, Avengers was big and bright and lots of fun. Stupid, sure it was, but totally entertaining. Also, it was fresh. We hadn’t seen an Avengers movie before.
Guardians of the Galaxy took the formula and ran with it for the kiddies: An Avengers ripoff that was even more fun.
So along comes Avengers 2 and instead of raising the stakes, the overall feeling seems to be “Uggh, we have to make another one?” The very first real lines of dialogue are Iron Man exclaiming “Shit!” and Captain America scolding “Language!” Then for the rest of the movie, everybody makes fun of Captain America for being a prude. Fine, I get it, pre-teen boys are a huge market for this sort of movie, but can’t we be a little bit smarter? In the same vein, later we get a lazily written sex joke (Ruffalo: “Don’t be so hard on yourself.” Johannson: “I thought that was your job”) and a huh-huh-huh-huh homophobic exchange between Iron Man and that not-Iron Man character that Don Cheadle plays. Come on, Joss Whedon, you can do better.
Or maybe he can’t? There’s a time-is-passing montage of Tony Stark and Bruce Banner… doing research. It was such an incredibly boring scene, it seemed like a spoof. (It’s not.) The plot, what there is of one, involves the “ghost in the machine” Ultron (or HAL, or the War Games guy, or Her, etc. etc. etc.) who wants to, yawn, destroy the world. He’s voiced by James Spader in this oddly casual manner so there’s no real feeling of threat. It’s just tired ’80s bad boys Spader and Downey Jr. sniping at each other.
The sub-plot revolves around two boring new characters, these Eastern European Boris-and-Natasha moose-ahnd-squirrel Wonder Twins. Powers activate: Form of “Ripoff of The Flash!” Form of “Hypnotist and Also Random Ability to Switch On Subway Brakes!” The mentalist girl puts some weird brain mojo on all the Avengers, and the movie tries to take on a psychological horror-flick feel. Except Whedon isn’t a skillful enough director to make it genuinely scary.
But come on, we go to these movies for action, and they kindly give us three extended sequences: the hand-to-hand combat scene (Hulk vs. Jumbo Iron Man), the car chase (truck, motorcycle, spaceship), and the all-out-war grand finale. These scenes are entertaining enough, almost enough to make you forget how boring the stuff in-between is. Almost.
And then they set us up for yet another sequel, this time with second-rate characters! Ooh I can’t wait.
My Internet Radio Playlist, 5/5/15
EPISODE #179: VIN SCELSA TRIBUTE
The Who — “Happy Jack” [THEME]
The Ramones — “It’s Not My Place (In the 9 to 5 World)”
Vin Scelsa — Intro to Dion
Dion — “King of the New York Streets”
Lucinda Williams — “Six Blocks Away”
Bob Hillman — “Everyone’s an Actor in New York”
Arthur Alexander — “Anna (Go to Him)”
Kevin Salem — “Lighthouse Keeper”
Southside Johnny w/ Bruce Springsteen and Steve Van Zandt — “It’s Been a Long Time”
Marshall Crenshaw — “Somewhere Down the Line”
Wavves — “Idiot”
Explorers Club — “Sweet Delights”
Art Brut — “Late Sunday Evening”
Graham Parker — “Saturday Nite Is Dead”
The Kinks — “Around the Dial”
broadcast live from Hoboken, NJ, on “Jack’s Aquarium”
Tuesday, 5/5/15, 10:00-11:05 a.m. eastern time






Jack Silbert, curator