By Jack Silbert on July 22, 2025
EPISODE #651: DREAMS VI
Daryl Hall — “Dreamtime” [ALTERNATE THEME]
Bruce Springsteen — “Follow That Dream”
Renee Maskin — “Of Your Dreams”
Terry McCarthy — “Subway Dreaming”
Suzanne Vega — “Book of Dreams”
The Cosmic Rays w/ Sun Ra — “Dreaming”
Tender Trap — “Dreaming of Dreaming”
Niall Connolly — “99-Cent Dream”
Peter Perrett — “I Want Your Dreams”
Beat Happening — “Dreamy”
Will Lawrence — “For Dreamers”
The Jam — “Dreams of Children”
Haim — “Up From a Dream”
Connie Francis — “Don’t Ever Leave Me” r.i.p.
Jack Silbert proudly records the Aquarium podcast in Hoboken, NJ.
Posted in internet radio playlists | Tagged Beat Happening, Bruce Springsteen, Connie Francis, Daryl Hall, Haim, Niall Connolly, Peter Perrett, Renee Maskin, Sun Ra, Suzanne Vega, Tender Trap, Terry McCarthy, The Cosmic Rays, The Jam, Will Lawrence
By Jack Silbert on July 18, 2025
3.5 stars out of 5
If you’re looking for a really well-made, well-performed film, this is not so super. But if you are a 12-year-old boy, or in charge of some 12-year-olds on a humid or rainy day, you could do a lot worse than seeing Superman.
I will say, this is a better movie than 2013’s Man of Steel, and a much better movie than Batman v Superman v Tony Orlando: Dawn of Justice. Those were too dark and too dreary, words that had become synonymous with DC Comics movies. So DC poached James Gunn, a 58-year-old with too much product in his hair, away from Marvel where he’d written and directed the Guardians of the Galaxy movies. Those were light and fun and made a lot of money! One big reason for their success: They appealed to kids.
Now, there’s nothing inherently wrong with that. Comic books are for kids, so it’s hard to complain if a comic book movie is for kids too. Sure, it’s possible to make a superhero flick that appeals to everyone, but Gunn seems unable to hit that target, or even aim for it.
I’ve actually seen actor David Corenswet in a few different movies before his turn as Clark Kent/Superman, but he has a forgetability factor that works fine here. Rachel Brosnahan a.k.a. Mrs. Maisel is similarly adequate as Lois Lane. I did enjoy seeing Gideon Gemstone (actor Skyler Gisondo) as Jimmy Olson. As one would hope, Michael Ian Black and Beck Bennett inject solid comedy into their small roles. Good ol’ Wendell “Bunk” Pierce is wasted as Perry White, as is an unrecognizable, unintelligible Bradley Cooper as Jor-El.
Nathan Fillion and Edi Gathegi turn in strong supporting performances, and comic relief, as Green Lantern and Mr. Terrific. They are teamed with Isabela Merced (Hawkgirl), who doesn’t get any good lines. The best acting job, unsurprisingly, comes from Nicholas Hoult as Jeff Bezos whoops I mean Lex Luthor. He oozes entitlement and evil.
You get the flying, the fighting, the public turning against Spider-Man I mean Superman, some decent laughs, and a positive, easily digestible message for the kids (we control our own destinies). Plus air conditioning. I sprung for IMAX which ultimately didn’t seem necessary. And I’m trying not to think about all the lighthearted, progressively worse DC movies on the way.
Posted in movie reviews | Tagged 10s movies, 20s movies, super powers, Superman
By Jack Silbert on July 15, 2025
EPISODE #650: DIRTY
Prince — “Dirty Mind” [ALTERNATE THEME]
Squeeze — “It’s So Dirty”
Mississippi John Hurt — “Nobody’s Dirty Business”
Neko Case — “Dirty Knife”
The Just Joans — “Stuart’s Got a Dirty Book”
Velvet Monkeys — “Bad/Dirty Blood”
Rolling Stones — “Dirty Work”
The Replacements — “Shooting Dirty Pool”
Don Henley — “Dirty Laundry”
Jennifer O’Connor — “Dirty City Blues”
David Bowie — “Dirty Boys”
The Knack — “Baby Talks Dirty”
Traveling Wilburys — “Dirty World”
Ribeye Brothers — “Last Place Champs” r.i.p. Tim Cronin
Jack Silbert proudly records the Aquarium podcast in Hoboken, NJ.
Posted in internet radio playlists | Tagged David Bowie, Don Henley, Jennifer O'Connor, Mississippi John Hurt, Neko Case, Prince, Ribeye Brothers, Rolling Stones, Squeeze, The Just Joans, The Knack, The Replacements, Traveling Wilburys, Velvet Monkeys
By Jack Silbert on July 8, 2025
4.5 stars out of 5
28 Days Later came out 23 years ago and all I remember is that it was scary and very good, and also that a couple of years earlier, Sandra Bullock had starred in a movie called 28 Days so that was kind of funny. When I recently learned that director Danny Boyle (not to confuse you, but he also directed 127 Hours) and writer Alex Garland were back for this belated sequel, and knew I could get to the theater in less than 28 minutes, I didn’t waste another second.
The night before, I finally watched 2007’s 28 Weeks Later, written and directed by different guys, though Boyle and Garland were executive producers. It was good! It was scary! And it was not necessary to watch to enjoy 28 Years Later!
For those just tuning in: 28 years ago, a virus spread throughout England, turning people into flesh-craving zombies. In part II, the U.S. military began allowing people back into the evacuated country. Whoops, the virus reappeared. At the end it seemed that the virus had reached mainland Europe, but very early in 28 Years Later, introductory text tells us no, don’t worry about that, it’s only England, we might’ve changed our mind about this next sequel but it’s been 18 years and we’re filmmakers and can do whatever we want.
We meet 12-year-old Spike and his dad and his bedridden, sick mom. They live on an island cut off from modern conveniences but also safe from freaking zombies. Instead of a bar mitzvah, dad takes Spike zombie hunting on the mainland which can be walked to during low tide. The townspeople hail Spike the returning hero but he’s not interested in that. He’s learned of a doctor on the mainland — they don’t have one on the island — and perhaps that doctor can heal his ailing mum.
Newcomer Alfie “What’s It All About” Williams plays Spike, and I’m very judgmental about child actors, but by god he does a real nice job of carrying the film. Alfie has an open, innocent face; he looks and behaves like a real kid. And he’s able to convey fear, bravery, wonder, rage, despair, and love. The doctor is a very surprising-looking Ralph Fiennes and he’s the other really key actor here. The doctor, isolated for a quarter century and surrounded only by death, has gained some hard-won wisdom that he’s able to sweetly pass along to Spike. I did not expect to get choked up by a zombie flick but there’s some real mature emotion delivered.
Don’t fret, there’s also thrilling undead action and scares and a little bit of comedy. With an unexpected ending sequence, I thought to myself “Bravo!” — this is a fully entertaining production. And since learning this is just part one of a trilogy with Boyle and Garland totally in and Cillian “Oppenheimer” Murphy returning from the original movie, I’ll be counting the days till the next installment. I’ll let you know when we get to 28.
Posted in movie reviews | Tagged 00s movies, 20s movies, Alex Garland, Cillian Murphy, Danny Boyle
By Jack Silbert on July 8, 2025
EPISODE #649: CASEY KASEM TRIBUTE 2025
“The New Scooby-Doo Movies” [ALTERNATE THEME]
The Doors — “Hello, I Love You” [Billboard No. 1, 8/3/68 – 8/10/68]
The Rascals — “People Got To Be Free” [No. 1, 8/17/68 – 9/14/68]
The Beatles — “Hey Jude” [No. 1, 9/28/68 – 11/23/68]
Diana Ross & the Supremes — “Love Child” [No. 1, 11/30/68 – 12/7/68]
Marvin Gaye — “I Heard It Through the Grapevine” [No. 1, 12/14/68 – 1/25/69]
Tommy James & the Shondells — “Crimson & Clover” [No. 1, 2/1/69 – 2/8/69]
Sly & the Family Stone — “Everyday People” [No. 1, 2/15/69 – 3/8/69]
Tommy Roe — ”Dizzy” [No. 1, 3/15/69 – 4/5/69]
Bruce Springsteen — “Chimes of Freedom” [live; long-distance dedication from Jimmy to the Mapman]
The 5th Dimension — “Aquarius/Let the Sun Shine In” [No. 1, 4/12/69 – 5/17/69]
The Beatles — ”Get Back” [No. 1, 5/24/69 – 6/21/69]
The Rolling Stones — “Honky Tonk Women” [No. 1, 8/23/69 – 9/13/69]
The Archies — “Sugar Sugar” [No. 1, 9/20/69 – 10/11/69]
The Temptations — “I Can’t Get Next to You” [No. 1, 10/18/69 – 10/25/69]
Jack Silbert proudly records the Aquarium podcast in Hoboken, NJ.
Posted in internet radio playlists | Tagged 5th Dimension, American Top 40, Beatles, Billboard Magazine, Bruce Springsteen, Casey Kasem, Diana Ross, Marvin Gaye, Rolling Stones, Sly & the Family Stone, The Archies, The Doors, The Rascals, The Temptations, Tommy James, Tommy Roe
By Jack Silbert on July 4, 2025
3.5 stars out of 5
Vroom vroom and all that. I do enjoy auto-racing movies (Grand Prix, Rush, Talladega Nights, Ford v Ferrari, Ferrari, Speed Racer, etc.) but am not obsessed with them (never saw Days of Thunder or any Fast and/or Furious flick). I guess it was my fandom of Brad Pitt that pulled me into this one, because the clichéd plot — one-last-shot-at glory veteran teams with overly-cocky popular rookie — and the name Jerry Schlockheimer looming in the credits didn’t promise great results.
Pitt’s character — let’s call him Speedy McCarracer (oh I never saw that animated Cars thing either) — says a couple of times, “We can’t win with this car.” And F1 couldn’t score more than 3.5 stars with this crew. Because director Joseph Kosinski has only been trusted with rehashing previous hits (Top Gun, Tron, Twister) and screenwriter Ehren Krueger is a grade-B horror guy. There are some top-flight actors here but Kosinski seems unable to elicit strong performances. So Pitt gives about 80 percent, grinning and looking handsome and sometimes lost in thought. But Javier Bardem as the Formula One team owner gives about 50 percent and so does team engineer Kerry Condon who was much, much better in The Banshees of Inisherin.
And yet… it never really dips below 3.5 stars either. I was entertained throughout by fast cars and crashes and international filming sites (though we mostly only see racetracks) and Pitt being Pitt, so against my better judgment, I found myself rooting for the team. And ultimately didn’t have to say F-you to F1.
Posted in movie reviews | Tagged 20s movies, Brad Pitt, Javier Bardem, Kerry Condon
By Jack Silbert on July 1, 2025
EPISODE #648: LISTENER AUDREY RETIRES
The Who — “Happy Jack” [THEME]
Makeout Point — “Audrey”
Freedy Johnston — “There Goes a Brooklyn Girl”
Jimmy Cliff — “Oh Jamaica”
King Missile — “As I Walked Through Queens”
The Move — “Fire Brigade”
“Meet the Mets”
The Baseball Project — “From Nails to Thumbtacks”
Belle & Sebastian — “Piazza, New York Catcher”
Edwin Starr — “Headline News”
Marshall Crenshaw — “Front-Page News”
Young Fresh Fellows — “Shake Your Magazines”
Johnny Paycheck — “Take This Job and Shove It”
Minus 5 — “Dear Employer (The Reason I Quit)”
Jack Silbert — “Small” [lyrics by Audrey Pavey]
Laura Cantrell — “Time”
Trisha Yearwood — “Come Fly With Me”
Jack Silbert proudly records the Aquarium podcast in Hoboken, NJ.
Posted in internet radio playlists | Tagged Belle & Sebastian, Edwin Starr, Freedy Johnston, Jimmy Cliff, Johnny Paycheck, King Missile, Laura Cantrell, Makeout Point, Marshall Crenshaw, The Baseball Project, The Minus 5, The Move, Trisha Yearwood, Young Fresh Fellows
By Jack Silbert on June 24, 2025
EPISODE #647: SUMMER 2025
The Who — “Happy Jack” [THEME]
Helen Love — “Let’s Go Surfing”
Chubby Checker — “Dancin’ Party”
The Cowsills — “Most of All”
Good Grief — “Kissing Through Curtains”
First Class — “Beach Baby”
Awful Din — “Summer” [unsolicited Silbert edit]
Lawn — “Summertime”
The Junior League w/ Scott the Hoople — “Summer of Flies”
Lael Neale — “Sliding Doors & Warm Summer Roses”
Cliff Richard and The Shadows — “Summer Holiday”
The Turtles — “On a Summer’s Day”
The Scenics — “In the Summer”
The Primitives — “Summer Rain”
Fred Thomas — “Summer of OMD”
David Christian — “Stumbling Into Summer’s Arms”
Beach Boys — “Keep an Eye on Summer”
Jack Silbert proudly records the Aquarium podcast in Hoboken, NJ.
Posted in internet radio playlists | Tagged Awful Din, Beach Boys, Chubby Checker, Cliff Richard, David Christian, First Class, Fred Thomas, Good Grief, Helen Love, Junior League, Lael Neale, Lawn, Scott the Hoople, The Cowsills, The Primitives, The Scenics, The Shadows, The Turtles
By Jack Silbert on June 17, 2025
4.5 stars out of 5
I was so thrilled while watching this movie that only now, with a distance of a few days, do I realize that I didn’t totally get the ending, that maybe I passed out for a couple of key scenes in the last 20 minutes. But everything else was so much fun, and classic Wes Anderson.
The Phoenician Scheme is a road picture like The Darjeeling Limited, but the structure ends up being more like a video game, in which our protagonist must collect X number of points before reaching the end.
The protagonist/antihero is Benicio Del Toro playing the wonderfully named Zsa-zsa Korda. He is a ruthless, wildly successful, and seemingly indestructible business baron with an Elon-like brood of ignored sons and one estranged daughter, Liesl (Mia Threapleton), on the brink of entering a nunnery. Zsa-zsa hopes to reconcile with Liesl, taking her along on a journey to raise a missing amount of money to fully fund — what? Um, the Phoenician scheme. Which I understand to be a massive infrastructure project from which Zsa-zsa will greatly profit.
Also along on the trip is Michael Cera as the hilariously accented Bjorn, tutor turned executive assistant. He is falling for Liesl as we are too (but not as much as we fell for previous Anderson supercrushes Saoirse Ronan and Léa Seydoux). Good to see Cera biting into a more substantial comedic role than he’s had in some recent films.
Oh the people that Zsa-zsa and crew encounter in their travels! We visit Anderson alum Tom Hanks, Bryan Cranston, Mathieu Amalric, Jeffrey Wright, Scarlett Johansson, Richard Ayoade, Benedict Cumberbatch, and Hope Davis. Zsa-zsa also finds himself in heaven a few times; is he temporarily dead or just imagining? I loved the tonal shift in these scenes, reminding me of Joel Cohen’s The Tragedy of MacBeth or any number of self-important perfume commercials. Even in the afterlife there are Anderson vets: Willem Dafoe, F. Murray Abraham, and the big daddy here, Bill Murray.
Playing “Spot the Star” is always entertaining, but the dialogue is so sharp and clever, the performances so deadpan hilarious, and (it is a Wes Anderson movie, after all), the littlest details in packages, signs, set design, etc. so finely turned out, that I felt Wes was trying a bit harder to really deliver than he has his last couple of times out.
Does Zsa-zsa deserve heaven? Redemption and forgiveness are major issues here. Wes Anderson tackles these topics in a satire of oligarchs and theocracy, with a side order of the meaning of family, all blended up in an old-timey screwball comedy. I may need to buy another ticket and see this movie again to catch anything I missed. Perhaps that was the Phoenician scheme all along.
Posted in movie reviews | Tagged 20s movies, Benedict Cumberbatch, Benicio Del Toro, Bill Murray, Michael Cera, Scarlett Johannson, Wes Anderson
By Jack Silbert on June 17, 2025
EPISODE #646: BRIAN WILSON TRIBUTE
The Four Freshman — “It’s a Blue World” [ALTERNATE THEME]
The Ronettes — “Be My Baby”
Beach Boys — “The Warmth of the Sun”
Beach Boys — “I’m Waiting for the Day”
Beach Boys — “Our Prayer”
Beach Boys — “Wonderful”
Beach Boys — “Heroes and Villains”
Jan & Dean — “Surf City”
The Honeys — “The One You Can’t Have”
Glenn Campbell — “Guess I’m Dumb”
Cub — “Surfer Girl”
Yo La Tengo — “Little Honda”
Los Straitjackets — “In My Room”
Brian Wilson — “Still I Dream of It” [demo]
Brian Wilson — “Love and Mercy”
Brian Wilson and Van Dyke Parks — “Orange Crate Art”
Beach Boys — “Surf’s Up” [early version, Brian solo]
Beach Boys — “’Til I Die”
Jack Silbert proudly records the Aquarium podcast in Hoboken, NJ.
Posted in internet radio playlists | Tagged Beach Boys, Brian Wilson, Cub, Glen Campbell, Jan & Dean, Los Straitjackets, Ronettes, The Four Freshmen, The Honeys, Van Dyke Parks, Yo La Tengo
Jack Silbert, curator