My tailor friend Yvonne suggested I talk to Jil Bucceroni, the parish administrator at St. John’s here in Hoboken. I’m really glad she did, as Jil is quite the cool character. Here’s my interview with her from the January/February issue of hMAG.
Movie Review: Where To Invade Next
4 stars out of 5
I know what it’s like, Michael Moore: Sometimes you just can’t win. This was his first movie in a long while to have some “mainstream buzz” behind it, and then on the opening weekend… a Polar Vortex hits the northeast. OK, no worries, I’d just catch it the next weekend. Except, because Moore’s film didn’t pull in Force Awakens bucks in its first week, Invade was dropped to only one screening a day, at 9:35 pm, at my local multiplex. Yes, it’s still in regular rotation at my favorite art theater, but come on: With that audience, you’re just preaching to the converted. Moore shares some amazing, incredibly useful ideas in this very entertaining documentary, but for them to actually take hold — for Americans to demand change — a lot more people need to know about it.
In some ways, this is a kinder, gentler Michael Moore film. There isn’t really a “bad guy” here, except for the stultifying status quo in the United States. Instead, Moore travels the world looking for the best ideas that we could pretty easily steal. Italians are guaranteed 8 weeks vacation a year, and yet their productivity is very similar to ours. Oh, and their workers are treated with respect — crazy, huh? French kids, even in the worst cities, eat well-prepared, healthy, multi-course school lunches. Finland’s schools have the shortest days, shortest years, and no homework — yet they vastly outperform U.S. schools. Oh, and their students are treated with respect. (And, psst, they never teach to the test.) Though for college, you might want to head to Slovenia instead — it’s totally free. Don’t worry about the language barrier; more than 100 classes are in English.
Hard for anybody to disagree with this stuff, right? Yes, Moore also shares some concepts that hardcore conservatives might poo-poo: genuine attempts to rehabilitate prisoners (treated humanely) in Norway. Equal rights for women, and legal abortion since 1973, in Tunisia. (Wait, aren’t they Muslim?) Legal drug use in Portugal. German students learning about their shameful past. (We perhaps have a couple of skeletons in the closet as well.) Iceland prosecuting the bankers responsible for their economic collapse. (A little overlap with the ending of The Big Short.) And so on. There are a lot of laughs here, though sometimes you want to cry.
Because Moore isn’t hounding a villain, the film maybe doesn’t have quite the dramatic arc of his earlier classics. But when all is said and done, the impact is just as strong. Because after being bombarded with all these sensible, not-difficult-to-implement ideas, you realize how many of them were inspired by U.S. ideas. While we’re this behemoth nation, mired in partisan bickering, the world has swiped our best concepts and really run with them. Labor. Education. Justice. Equality. If we truly want to “Make America Great Again,” we need to look for our reflection in the rest of the world, and borrow some concepts back.
Aquarium Playlist, 2/23/16
EPISODE #221: HELP
The Who — “Happy Jack” [THEME]
The Beatles — “Help!”
The Apartments — “Help”
Eli “Paperboy” Reed — “Help Me”
Elvis Presley — “Help Me”
Philip Glass — “Help Me”
Joni Mitchell — “Help Me”
The Animals — “Help Me Girl”
The Beach Boys — “Help Me Rhonda”
Liz Phair — “Help Me Mary”
Little Richard — “The Girl Can’t Help It”
Sugar — “Can’t Help You Anymore”
The Both — “You Can’t Help Me Now”
David Bowie with the Lower Third — “Can’t Help Thinking About Me”
Young Fresh Fellows — “No Help at All”
Jack’s Aquarium podcast proudly recorded in Hoboken, NJ
Movie Review: Zoolander 2
3 stars out of 5
I think I liked the first Zoolander? Sorry, I can’t really remember; it was a long time ago. And I’m maybe confusing it in my head with Ben Stiller and Owen Wilson’s version of Starsky & Hutch. But I have been a Stiller fan for a very long time, ever since the five-episode Ben Stiller Show on MTV circa 1989–90.
Now, belated sequels such as Zoolander 2 often reek of desperation, a last-gasp, post-failure return to a successful franchise. And you could certainly argue that Stiller and Wilson aren’t at the peaks of their careers. But, at least in the early going here, this seems better than a calculated cash-in. The writers and cast seem fully engaged in delivering a high-quality product, and I laughed out loud several times in the first half hour or so.
Unfortunately, the script couldn’t maintain that pace. But, there are enough funny bits and nonstop cameos (I won’t ruin them) to keep things entertaining enough for the rest of the way.
As for the main talent: Stiller’s Derek Zoolander is still a pretty funny character (stretched a bit thin in the course of 102 minutes). Owen Wilson, though, isn’t quite as charming as he used to be. Kristen Wiig has a lot of fun as a surgery-damaged fashion guru with an absurd accent. Penélope Cruz holds her own as an INTERPOL agent/former swimsuit model, except during a not-funny scene in which Stiller holds her own. As a top young hipster designer, Kyle Mooney — my favorite current SNL cast member — comedically tries his best but doesn’t have much to work with here. Justin Theroux, taking a break from The Leftovers, isn’t particularly funny in this either. (Theroux also co-wrote with Stiller, so, two checks anyway.)
Thankfully, Will Ferrell eventually shows up as the evil Mugatu. His loud, silly performance really enlivens the movie’s last third.
So, unless you’re a true-blue(steel) Zoolander buff or a funny-fashion aficionado, there’s need to rush out and see this one in the theater. But on a plane, or Netflix, or cable, it definitely wouldn’t be a bad way to kill some time. Hmm, I guess they won’t be using that quote on the poster.
Movie Review: 2016 Oscar Nominated Animated Short Films
Hey, I like cartoons, who doesn’t? And then at some point you’re told, no, they’re not cartoons, they’re “animated shorts” and should be taken seriously. Stop smiling, kid! I caught Bambi vs. Godzilla very early on, on TV, but it didn’t register as a separate art form or anything. Was just a funny little cartoon. At some point, Spike & Mike’s annual Festival of Animation started showing up in newspaper movie listings. Was that the collection I saw on campus in my college years? Maybe. At the height of Bill Plympton’s popularity.
Anyway. This year I went to a screening of the Oscar-nominated animated shorts. Because I like cartoons!
Sanjay’s Super Team (USA)
3.5 stars out of 5
This is cute and kind of sweet and, you know, multi-culti (kid imagines Hindu deities battling evil as his dad prays) — so that’s good — but is ultimately too Pixar mainstream, and left me a little cold.
World of Tomorrow (USA)
3.5 stars out of 5
Little girl is visited by her future self. The animation was cool — raw and nervy — and it’s pretty funny, with a few cool notions of the future. But I found other ideas too obvious (shockingly, things are better in the future for rich people), and the real-life voice of the little girl became grating over 17 minutes.
Bear Story (Chile)
4.5 stars out of 5
I loved this one. The animation was totally beautiful — it looks stop-motion but I don’t think it is? In a world of bears, a little kid bear pays to see a thrilling story play out in an intricate old-timey mechanical device, operated by a kindly older bear. Has something to do with the Pinochet regime but I don’t know nuthin’ about nuthin’, except it was really cool to look at and had tons of heart. I would’ve voted for this one.
We Can’t Live Without Cosmos (Russia)
4 stars out of 5
And this would’ve been my runner-up. We follow two astronaut buddies through the training process, except it’s Russia so they’re cosmonauts. It’s silent (as was Bear Story) but it feels very Russian, or at least our conception of Soviet-era Russia, which I suppose was accurate because this was made in Russia. There’s a cold desolation, and the facilities don’t seem up-to-date, etc. There’s a charming simplicity and cleanness to the animation, vaguely Far Side-esque. Story-wise, it’s both funny and touching.
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Then we received an on-screen warning that the final nominated movie, Prologue, contained violence and nudity (oh boy!) and wasn’t suitable for children. And it would be shown after a selection of not-nominated films. Ok, whew, because I’d been worried, after some quick addition, that the nominated films wouldn’t run more than an hour. Some bonus shorts would flesh this screening out to feature length — more bang for my movie-ticket buck! They were:
If I Was God (Canada)
3.5 stars out of 5
A clever-enough coming-of-age story which I’ll give a bonus half star for blending stop-motion and traditional animation.
The Short Story of a Fox and a Mouse (France)
3 stars out of 5
Indeed had a picture-book quality to it, though with a rough-around-the-edges, pleasingly bright 3D animation (of a fox and a mouse and a snowy landscape). Not much there for an adult.
The Loneliest Stoplight (USA)
3.5 stars out of 5
Hooray, the master himself, Bill Plympton, and his undulating rough lines. Plus Patton Oswalt as the voice of the stoplight at a rural intersection, through changing times. This has a Giving Tree vibe to it. But, viewing this one as a picture book, the plot took a little leap that didn’t really work for me.
Catch It (France)
2.5 stars out of 5
Meerkats in a low-rent Ice Age starring low-rent Timons.
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and finally, the dirty nominated selection….
Prologue (United Kingdom)
3 stars out of 5
Male nudity? That’s no fun! Ah foo. Ancient Greek warriors battle it out in raw pencil-drawn animation reminiscent of the “Take On Me” video. War, what is it good for? Absolutely nuthin’. Huh!
Aquarium Playlist, 2/16/16
EPISODE #220: BLACK HISTORY MONTH 2016 (JAZZ)
The Who — “Happy Jack” [THEME]
Illinois Jacquet — “Jivin’ With Jack the Bellboy”
Clifford Brown and Max Roach — “The Blues Walk”
Eric Dolphy — “Hat and Beard”
Ella Fitzgerald — “Undecided”
Dinah Washington — “I Could Write a Book”
Nina Simone — “Wild Is the Wind”
Fats Waller — “Smashin’ Thirds”
Jimmy Smith — “The Cat”
Wes Montgomery — “The Trick Bag”
Sun Ra & His Arkesktra — “Enlightenment”
Jack’s Aquarium podcast proudly recorded in Hoboken, NJ
The $900 Plate of Ziti
I’d been having a hankering for ziti. Not just any ziti, mind you, but the ziti and ricotta with meatball at my regular Saturday lunch place, Piccolo’s. Except, ziti hasn’t been on the Saturday specials board this winter. The fellas behind the counter told me that Monday through Thursday, I could get ziti. I’m not real crazy about change but figured, sure, I could come on a weekday one week and get my ziti.
Today, a Thursday, seemed like it could be the day. Now, one thing about me, I dig efficiency and multi-tasking. And it seemed I could accomplish a few different tasks during a midday jaunt. My friend and neighbor Dianne had a repaired jacket ready for pick-up from Victor, a Russian guy downtown. Dianne works odd hours at a hospital, and with my “flexible” schedule, I’d taken the jacket to Victor in the first place. (I’d previously taken it to our friend Yvonne the Italian tailor, but the heavy-duty zipper work was outside her skill set. So she’d recommended Victor.) Now the jacket was ready.
OK, so I’d return the due-today DVD at the library. Then walk downtown and get my ziti. Then deposit a check at the ATM. Then fetch the jacket. And also bring Victor the two bottles of wine that Yvonne had for him, so I’d have to to get those before going to the library. Then back home. A nice circle.
At about 12:30 pm, I called Victor to make sure he was in the shop. He was. “So I can come this afternoon?” I asked.
“Call before you come,” he said in his older-guy Russian accent.
“I’m calling right now,” I pointed out.
“I’ll be in and out today,” Victor explained.
“Give me half an hour, I’ll come now,” I said. I wasn’t happy about this; it screwed up my circle. I’d now have to do wine, jacket, check, ziti, library. I didn’t like pushing the ziti back in the schedule — if you didn’t get to Piccolo’s early enough, they’d run out, and erase it from the specials board. Figured I’d better get crackin’.
Yvonne gave me the wine, and said I should make sure to get the jacket before giving the bottles to Victor. (The secret world of clothes-mending is a mysterious one.) Yvonne also asked if I’d mail a letter for her. No problem, I could easily slot that in between the library and home.
Victor buzzed me into his shop — a large, industrial, high-ceilinged space with racks of leather coats and hats for sale in the front, and a workroom in the back. I took out the five $20 bills Dianne had given me; she’d been told the repair was $90. Victor took four of the bills.
“Do you have change?” he asked.
I did not. I’d had a $10 as recently as yesterday afternoon, but then I’d run into my dentist Dr. Stern and her daughter, and — long story short — I now have a box of Thin Mints and a box of Tagalongs on order.
I dug in my pocket and counted out a few singles and some loose change. Victor did the same. Segundo, the Ecuadoran guy in back, couldn’t break a twenty either.
I figured I’d take whatever change they could scrounge together, but then noticed a credit-card reader mounted on the wall. “Would it be easier if I charge the $90, and just keep the cash?” I asked Victor. He was very enthusiastic about the idea. Victor swiped my debit card and handed me the receipt to sign.
I did a double-take. “Uh…,” I uhhed, “this says $900.”
Jeez, I thought, I’m glad I didn’t give him the wine yet. And I was a fairly rattled — just two days earlier, my bank account had been very, very low — like, limbo-stick low – and I’d had to move some funds around. So I was pretty gun-shy about a near-grand suddenly vanishing from my balance. Victor apologized profusely, called the customer service number, and explained the situation. A solution wasn’t instantaneous (funny, because the transaction itself only took a second), and now the phone had been handed to me.
Customer-service rep Kristy explained to me what she’d tried to tell Victor: She could void the $900 and enter in the $90. Or she could just void the $900, and I could give Victor $90 in cash. (In the interim, another customer had given me two tens for a $20.) But Kristy didn’t recommend that second option, because then I’d be out another $90 while the transaction was resolved. I asked what the quickest method would be to get my $900 back. Kristy explained that on her end, it would take a few days, and that I might want to call my own bank directly to see if they could stop payment right away.
So next I was speaking to Mindy at Bank of America. She’s based in Chandler, Arizona, and warmly thanked me for being a preferred customer, with them since 1994. (I didn’t want to split hairs, but I’d originally signed up with NatWest, which begat Fleet Bank, which begat Bank of America.) OK, Mindy, let’s skip the niceties and try to get my nine hundo back, shall we?
Mindy had to run this by someone else and put me on hold for quite a while. When she returned, she apologized that there was really nothing they could do right now. The transaction hadn’t posted yet; it was still “processing.” When it did post, then we could dispute the charge. In the meantime, couldn’t the merchant’s credit-card company cancel the charge, Mindy wondered. Sigh — we’d have to call Kristy again.
Victor placed that call but was nervously glancing out his glass front door. It was a street-cleaning day on his side of the street. (I could certainly relate; as a reminder, I place a small piece of paper marked CAR by my bathroom sink the night before street cleaning.) It was about 2 pm — I’d been there about 45 minutes, and it was not looking good at all for my ziti — and he’d have to move his car soon to avoid a ticket. Probably not a NINE-HUNDRED DOLLAR ticket, but I digress. Victor reached a customer-service gentleman but they were not comprehending each other. We needed Kristy! Victor was put on hold, so he apologized to me again, handed over the receiver, and dashed out with his car keys.
And soon I was speaking with Jennifer. I recapped the situation and we again agreed to the voiding $900/entering $90 plan. The person to do it: Me! Jennifer talked me through entering the “void” function on the credit-card machine, the approval number from my receipt, my debit-card account number, the amount (which was $900, if you’ve forgotten), and a reference number provided by her. Voilà, the machine spat out a VOID receipt, printed in red for good measure. Easy-peasy! With a few more buttons pressed, I’d charged myself $90 and signed a new receipt. Jennifer alerted me that it would take a few days for the transactions to be finalized.
I also had a nice talk with Segundo. He’s been in the business 45 years, first in his country, then in Manhattan, and the past five years in Hoboken. Used to have his own tailor shop, but things started getting rough for the little guy about 20 years ago. Victor, who’d returned, proudly showed me a 40-year-old Western-style jacket he’d done a major repair on for a “Hollywood producer.” The fellow was going to pick it up in person when he next visited his brother in Newark, and the brother wanted a custom-made bomber jacket.
Though I would’ve loved to stay and chat, my work was not yet done. I presented Victor with his wine — he hadn’t really earned it, but I didn’t want to carry the bottles anymore — packed up Dianne’s jacket, and took my leave. At the ATM, the machine held onto my card during the transaction “for added security.” Hmm, that wouldn’t be because of some very recent suspicious activity with my account, would it?
I took a deep breath and entered Piccolo’s. It was 2:40 by now, so my ziti hopes weren’t very high. I glanced at the board: Ravioli was done for the day… but ziti and riccota was still up there! Hmm, meatball wasn’t a special, sausage was, but hey, I can adjust, right?

A few minutes later I had my ziti.
It was the last one of the day.

Content at last, in quick succession I returned the DVD, mailed the letter, and left the jacket outside Dianne’s door. And then made a mental note to check my account balance online in a few business days, and every day thereafter for the rest of my goddamn life.
Aquarium Playlist, 2/9/16
EPISODE #219: VALENTINE’S DAY 2016 (KISSING)
The Who — “Happy Jack” [THEME]
Unrest — “Make Out Club”
Hefner — “Peppermint Taste”
Allo Darlin’ — “Kiss Your Lips”
Calvin Johnson — “Can We Kiss?”
Beat Happening — “Let’s Kiss”
Tom Waits — “Kiss Me”
They Might Be Giants — “Kiss Me, Son of God”
The Replacements — “Kiss Me on the Bus”
Life in a Blender — “Kiss Me Harder”
The Shangri-Las — “Give Him a Great Big Kiss”
New York Dolls — “Looking for a Kiss”
Strega — “You Will Kiss Her”
Lucinda Williams — “Passionate Kisses”
X — “The World’s a Mess; It’s in My Kiss”
Jack’s Aquarium podcast proudly recorded in Hoboken, NJ
Movie Review: The Revenant
4 stars out of 5
For three weeks, I trudged through the snow, relying only on my wits. Would I emerge victorious, or was I merely delaying the inevitable? Finally — a broken man — I succumbed to my fate: I bought a ticket to The Revenant.
Hey, you know what? It was really good! Remember how there was a whole lot going on in Alejandro Iñárritu’s Birdman or (The Unexpected Virtue of Ignorance)? There was even a whole lot going on in the title! This time, director/co-writer Iñárritu strips things down to to the bare essentials (and essential bears): a gripping tale of survival and revenge.
It’s a little like The Martian, except much better. Dude gets left behind by his crew in a harsh environment and has to fend for himself. We’re out on the frontier in the 1820s with fur traders and Indians and there are Frenchies wandering around too. Our old pal Leonardo DiCaprio is the abandoned Mr. Glass but he ain’t fragile: For more than 127 hours, he battles grizzlies and the elements and hunger and busted legs and a raging river, etc. etc. (Meanwhile, I can’t even sew a button back on a shirt.) Maybe he’s a Jedi: Glass borrows a survival trick from Empire Strikes Back, and receives guidance from a ghost. They don’t delve into the psychological impact of his forced solitude; when every moment is life or death, you don’t really have time to befriend a volleyball.
Leo doesn’t spend the entire 156 minutes of The Revenant alone, however. There’s also Tom Hardy as the bad guy Fitzgerald, and he actually gets to speak coherently in this movie, albeit with a Texan accent. (Maybe the much more taciturn DiCaprio consulted Hardy for grunting lessons.) Domhnall “I’m in Everything” Gleeson is in this (duh), and what a diverse 2015 he had: soft-spoken everynerd in Ex Machina, Nazi-esque nasty in The Force Awakens, and a principled captain in this one.
And DiCaprio continues to impress with his versatility as well. He’s been equally convincing as Howard Hughes, J. Edgar Hoover, Jay Gatsby, etc., and now this sad bearded fellow who never says die. (Or says much of anything, for that matter.) Sure, the physical demands of the role are impressive, but Leo adds layers of humanity (and then a dab of Eastwood later in the flick). I would not be averse to him winning Best Actor; was definitely better than the other guys I saw, Cranston and Damon.
And just as Leo isn’t only a frontiersman in this, The Revenant isn’t simply an action movie. Glass makes us consider the bonds of family and tradition. The Fitzgerald character brings cold self-interest into the mix. Racism, random kindness, doing the right thing or failing to because you’re following orders — all provide additional grist for the mill.
Oh, but The Revenant certainly is an action movie: arrows and guns and knives and axes and bears and horses and fights and chases and falls, all against a jawdroppingly beautiful backdrop. Man, that Ultra Panavision 70 was wasted on The Hateful Eight; they’ve should’ve used it here! Nevertheless, Iñárritu expertly lights and shoots everything, with an unobtrusive but effective score (and even a touch of Birdman drums as the thrills heats up). Yes it’s long but didn’t feel especially so; we’ve got a lot of land to traverse and Iñárritu puts us right in the middle of it — there’s even blood on the camera lens. Now that’s dedication!
Aquarium Playlist, 2/5/16
EPISODE #218: SUPER
R.I.P. Live365.com
The Who — “Happy Jack” [THEME]
ABBA — “Super Trouper”
Liz Phair — “Supernova”
Boyracer — “Superhip”
Wildhoney — “Super Stupid”
R.E.M. — “Supernatural Superserious”
Lupe Fiasco featuring Matthew Santos — “Superstar”
Edwyn Collins — “Superstar Talking Blues”
Stevie Wonder — “Superstition”
Howlin’ Wolf — “I Ain’t Superstitious”
James Brown — “Super Bad”
Morphine — “Super Sex”
The Hope-Harveys — “Super Shoes”
Gregory and the Hawk — “Super Legend”
Caribou — “Bowls”
Jack’s Aquarium podcast proudly recorded in Hoboken, NJ



Jack Silbert, curator