Big thanks to Jim Testa for this article about my second annual fundraiser, to be held Sunday, March 25, at Willie McBride’s in Hoboken.
Movie Review: Thoroughbreds
2.5 stars out of 5
It comes up lame. There, I got it out of the way right off the bat. Whew.
I like thrillers, I like mean girls, the trailer was fun, the cystic-fibrosis girl from Bates Motel is in this, and Unsane and Isle of Dogs weren’t out yet, so on cheap Tuesday I headed out to see Thoroughbreds.
The set-up: You’ve got upper-class teenage Amanda (Olivia Cooke), who used to be a prize-winning jockey, but, something nasty happened. On Bates Motel, Cooke was a goodie-goodie, but here she’s a baddie-baddie. The thrill of this wears off pretty quickly. The nice upper-class girl in the story is Lily (Anya Taylor-Joy), who adds no joy to this Mudville of a movie. It turns out Lily is being paid handsomely to hang out with/tutor her old messed-up school pal Amanda. But guess what? Lily is kind of screwy too! Some blame goes to her evil stepdad Mark (Paul Sparks, who had that great laugh as Mickey Doyle on Boardwalk Empire, but is a bore here). Amanda and Lily eventually recruit townie bad-boy Tim (Anton Yelchin, wishing he’d been backed over by his Jeep Grand Cherokee before agreeing to do this film) to do some vengeance stuff.
With some high camp mixed in, this could’ve been pretty entertaining. Alas, it is not. Tension, I’m supposed to feel building tension, but none is present. The stepdad should be a real unlikeable villain but, eh, he’s not. How about some sexual fireworks? Nope, not between anyone. Yelchin is the strongest actor in Thoroughbreds (he gets to deliver the best line, calling one of the girls “Swimfan“), but Cooke and Sparks don’t transcend their TV résumés.
One half point awarded for noted cellist Erik Friedlander’s minimal, Birdman-reminiscent score.
Maybe stepdad Mark wakes up to find a horse head in bed next to him. That’s how you make a movie!
Aquarium Playlist, 3/20/18
EPISODE #272: REQUESTS XIV
The Who — “Happy Jack” [THEME]
Shanghai Love Motel — “King of Memory” [for the Mapman]
The Baseball Project — “Spring Training in New Orleans” [for Jen]
Peter Holsapple & Chris Stamey — “Geometry” [for Jon]
Willie Nelson — “Pistol Packin’ Mama” [for Matthew]
Mississippi John Hurt — “Stack O’ Lee” [for Mark]
Karyn Kuhl Band — “It Was a Very Good Year” [for Geri]
The Beach Boys — “Lady Lynda” [for Jaime]
The Grateful Dead — “Touch of Grey” [for Chris]
The Silos — “I’m Over You” [for Ty]
Arlo Guthrie — “City of New Orleans” [for Denise]
The Beatles — “Dear Prudence” [for Wendy]
The Pixies — “Monkey Gone to Heaven” [for Nick]
The Bee Gees — “I Close My Eyes” [for Miriam]
The Band — “The Saga of Pepote Rouge” [for Mike]
The Chambers Brothers — “What the World Needs Now Is Love” [for Will]
Macklemore — “White Privilege” [for Romall]
The Stray Cats — “I Fought the Law” [for Romeo]
Jack’s Aquarium podcast is proudly recorded in Hoboken, NJ.
Movie Review: Annihilation
4.5 stars out of 5
Last summer, my friend Julie recommended the Southern Reach trilogy of novels by Jeff VanderMeer. I put them on my Amazon shopping list but never got around to making the purchase. And the books slipped my mind until, well into watching this truly impressive film, I suddenly thought, “Hey, one of those novels was titled… Annihilation!” Yup, the very same. So I think I was destined to see this.
In fact, there was no way I wasn’t going to see Annihilation. I was a huge fan of star Natalie Portman, hero to Jewish boys everywhere, long before she guest-edited an issue of my magazine. (There was a moment during that process when it seemed she and I might meet, and who knows the alternate future those sliding doors could have provoked.) And director/screenwriter Alex Garland’s previous feature, Ex Machina, was one of my top-10 films of 2015.
Not that I knew what to expect, or was certain that I’d love it. The trailer was pretty confusing, and, just between you and me, I didn’t make it all the way through Portman as Jackie. But seeing that the great Oscar Isaac (who also starred in Sex Machina, whoops I spelled that wrong) was in this was a very good sign. Huh, who ever thunk that Queen Amidala and Poe Dameron would ever meet!
In Annihilation, they’re a married couple who met in the army; Portman is now a Johns Hopkins biology professor but Isaac is still in the service, MIA and presumed dead for a year. Then Isaac suddenly returns. He’s got PTSD out the ying-yang. Portman soon learns about the secret mission he’d been on: A weird “shimmer” has appeared around a wooded area, reminiscent of that red-curtain entrance to the Black Lodge that sometimes pops up in the outskirts of Twin Peaks. The shimmied region keeps getting bigger, and the government has been sending in teams to find out what the dilly-o is. But like a Roach Motel, they check in… but they don’t check out.
Portman, with her convenient science/military background, signs up for the next crew of guinea pigs to enter. And here’s where the movie proudly gives us a team of super-smart, kick-ass, action-hero women. They also include Tessa Thompson, so great in Creed, and my old fave Jennifer Jason Leigh, again displaying the toughness she employed in The Hateful Eight, but more serious here with The More Serious Five.
As the team goes deeper and deeper into the mystic, and things get weirder and weirder, I was reminded of Heart of Darkness/Apocalypse Now. But there’s an extra layer of nonstop, building tension here — woman against nature, woman against woman, woman against herself — and some truly terrifying, eyes-and-mouth-wide-open content. I won’t say more about the plot, in case you also didn’t read that trilogy, but suffice to say I was absolutely riveted all the way through. Annihilation is a real head trip, and one of the best sci-fi films I’ve ever seen.
Aquarium Playlist, 3/13/18
EPISODE #271: WOMEN’S HISTORY MONTH 2018
The Who — “Happy Jack” [THEME]
psych-O-positive — “Blood (Coming Out of Her Whatever)”
Amy Bezunartea — “Oh the Things a Girl Must Do”
pronoun — “Run”
La Luz — “You Disappear”
Resounding No — “Hexed Pet”
Aimee Mann — “You Never Loved Me”
Marybeth D’Amico — “Didn’t Know How”
Amor de Días — “Bunhill Fields”
Julie Doiron and the Wooden Stars — “Drums and Horns”
Adult Mom — “J Station”
Alvvays — “Atop a Cake”
Speedy Ortiz — “Raising the Skate”
The Avengers — “Corpus Christi”
Simone White — “I Am the Man”
Jack’s Aquarium podcast is proudly recorded in Hoboken, NJ.
30 Ounces of Shit in a 15-Ounce Bag
I’ve freely discussed, and written about, the amputation of the lower portion of both my legs, and life since then. I had made a conscious decision to be open about it, and I really think that’s made it easier for me to cope. It’s also truly helped to meet and befriend some other amputees to share gripes, low moments, and pep talks with. But there’s another issue I’ve been dealing with for nearly a year and a half that I haven’t really been able to talk about. Because it revolves around fecal matter. And that is fucking gross.
I know, I know, everybody poops, but not everybody brings it up in polite conversation. Because… ewww. But let me begin at the beginning, after gastrointestinal concerns ultimately landed me in the hospital for emergency colon surgery in late summer 2016. When I “came to,” there were a myriad of bags and tubes attached to my stomach and below. As I slowly became more lucid, I learned that one of these was an ostomy bag. So, in technical terms, instead of shit coming out of my butt, it went into this plastic bag. Even at those early stages, I remember a doctor telling me that “it can be reversed” eventually, but I had absolutely no idea what that meant, and wasn’t thinking remotely clearly enough to ask.
The bag concept weighed heavily on my unconscious. I hallucinated about struggling to find a doctor who would explain the idea of living with such a bag. These young guys will know the answer, I recall imagining. But they couldn’t help me either.
BAG BASICS
At hospital #2, there was a wound specialist who taught me a new word: stoma. With my parents in the room (!), we — I think, as it’s all a bit hazy — looked at a photo of this stoma, which is the part of the intestine that, in an ostomy situation, is outside of the body instead of inside. That’s what the shit comes out of. (For me, because of the higher-up location of my ostomy, it was mostly a liquidy shit. That’s called an ileostomy, as opposed to the more commonly known colostomy.)
The specialist was telling us how good my stoma looked, and I was flat-out baffled. It was this wet, dark red… thing… coming out of my stomach. I felt like John Hurt in Alien. My guts were on the outside, it was fucking disgusting! Oh yeah that looks really good, lady; thanks a lot.
I became accustomed to being aware when the bag — on the right side of my abdomen — was getting full. Then I’d summon a nurse or nursing assistant to empty it for me. Some nursing assistants refused, because it was gross. They sucked.
At least once a week, often twice, the bag — and adhesive wafer underneath — had to be changed. Hey, stoma, good to see you up-close and personal. How have you been? I must say you’re looking very well. It must be changed because the adhesive breaks down over time, which then leads to leaks. Leaks are the arch enemy of the ostomy-bag wearer. As a species, we like our shit to be neatly contained, and it’s stressful when that’s not the case. Monkeys have a much more liberated attitude toward this, flinging their feces willy-nilly.
Also, when changing the bag, it was a good time to inspect the skin underneath, making sure it wasn’t red or broken. You know what can easily irritate skin? Liquid shit.
In mid-November, I was transferred to the excellent Hackensack University Medical Center for my amputation surgery. I stayed there for a week, and toward the end, nurse Shannon Byrne from Enterostomal Therapy was the first person to truly talk to me about the ostomy bag in real-life terms. (“Lots of people have them, you’d never know!” “When you’re up and walking, you’ll be able to go into a restroom and just empty it in the toilet, no problem!”) That made me feel a lot better. Shannon left me with helpful guides and some supplies, which my beloved parents immediately lost.
Next I headed to the Kessler Institute for Rehabilitation in Saddle Brook, New Jersey, where I’d meet the staffers who gave me back my life in so many ways. In the bag department, I’ll single out charming and on-the-ball nurse Kristen, who dealt with messy matters with skill, a smile, and total respect. You see, worse than being gross, shit in the wrong place at the wrong time is absolutely humiliating. And Kristen was one of the real good ones who, through the most disgusting of it, treated me just like a regular person, which I was already struggling with. (On a positive note, repeated humiliation — in shit and other medical misadventures — transformed into a humbling and ultimately freeing situation. I shed most vestiges of bodily privacy and shame.)
I watched an awful lot of TV while in the hospital — there wasn’t too much else to do — and I ended up seeing some shows I’d never seen before or since. This included Comedy Central’s Tosh.0, which had always seemed to rely too heavily on frat-type humor. But, stuck in a hospital bed, it was entertaining enough. And I’ll always be grateful for them re-airing an episode from 2013 featuring an interview with the Ostomy Bag Girl. They were talking about her stoma! *I* had a stoma! The broadcast made me feel more… normal. Tosh joked with her but treated her respectfully. Here was an attractive young woman in the same boat as me willing to openly share her story. That’s huge. Kudos Ostomy Bag Girl, and kudos Tosh.0.
PACK A BAG FOR HOME
In mid-December 2016, I was going home for the first time since late August. (It would be another couple of months before my amputated legs would be healed enough to wear prosthetics, so I would just have to wait it out in a wheelchair.) I was ready to be in my apartment, but I was nervous, especially about changing my own bag. Kessler nurse Mila gave me such an encouraging and heartfelt talk that I found myself in tears. It was cathartic. But just then, the rep from Amedisys, the visiting nurse service I’d be using, entered the room. She saw me sobbing and said, “Maybe you’re not ready to go home yet, I’ll talk to your doctor” and walked right out. I felt like Seinfeld, calling after her, “Wait! Come back! It’s not what you think!” I finally got a chance to explain that Mila had just pressed some emotional buttons, and that I was indeed ready. I’d watched nurses change the bag often enough that I was set to attempt it myself.
It was trial-and-error at home, with much assistance from Amedisys nurse Dana. The wafers would leak often so we ordered different bags and bag accessories (belt that hooks to both sides of the bag, stretchable rings that go around the stoma, rubbery strips that hold down the edges of the wafer, etc.) For my bed, I bought “chucks” — well, that’s what they call them in the medical world. In real life, they are pee pads for little kids. Again, not a purchase that fills one with pride.
There were other embarrassments. A leak might suddenly begin while I was on the couch, sometimes with visitors present. My regular home-care “Visiting Angel” Sandy was often there to calmly help me. (My parents were nervous about me returning to my apartment, so insisted on hiring a home-care service. I grew tired of their seemingly constant presence, but Sandy and I developed a sweet friendship which remains to this day.) By the time I returned to Kessler in mid-February for prosthetics training, I was feeling pretty confident about the whole bag thing.
HAVE BAG, WILL TRAVEL
Or so I thought. Kessler ostomy expert Kathy had a field day with my Rube Goldberg-esque bag set-up. “You don’t need any Cheerios [referring to the yellow rings], Froot Loops, whatever!” Dang, I had just received special adhesive strips from Amazon — the key to a leak-free bag experience, I believed — and now Kathy wouldn’t let me use those either. “We’ll get you a one-piece bag and wafer that fits, and you won’t need any of this other… stuff!” Kathy was a hoot.
After three more incredible weeks at Kessler, I was comfortable walking (with a walker), climbing stairs (with a cane), getting into cars, and much more. This meant, instead of being trapped Rapunzel-like in my apartment, as I’d been the previous two months, I could now be out and about. I didn’t want to deal with the bag when I was at a concert or movie or wherever. So I came up with an inelegant solution: I’d finish eating at least two hours before I left my place. That would allow food to move through my system (which happened at a pretty rapid clip) and for me to empty the bag before heading out. I was hungry many nights, but had peace of mind.
My first time out with just a cane was April 29, 2017, for the Billy Miller Forever memorial concert at the Music Hall of Williamsburg. My great friend Todd-o-Phonic Todd Abramson made sure security would be waiting for me, show me to the elevator, and have a table reserved for me in the balcony. (Things like this have become a weird perk of my disability.) It was a great show, the guy next to me bought me a beer, and I was having an excellent time. But late in the concert, I was surprised to see that my bag was really full — inflated like a balloon. Hmm, I had some thinking to do. My friend Joe was going to drive me home, but it was too risky to wait to get from Brooklyn to Jersey. But the bathrooms here were down in the basement, and, how would that work anyway? At home, I’d empty my bag into a small pitcher and empty that into the toilet. What could I do here?
It was then I eyed the empty plastic beer cup on my table. Hmm, just maybe. I stashed it in my backpack, took the elevator to the basement, locked myself in a men’s room stall, opened the bag into the cup… voilà ! Pour, flush, done.
This began an exciting new tradition over the next few months: I never went out without a red plastic Solo cup. It was by far my most regular use of them since college. It allowed me the freedom to eat and drink away from home if I wanted. (Turns out the bubbles in beer produced gas that “inflated” the bag, making leakage more likely.) I took sick pleasure in the fact that whichever bastard stole my backpack unwittingly made off with one of my shit cups.
PAPA’S GOT A BRAND NEW BAG
Back in April, with nurse Dana’s encouragement — noodging, really — I began researching ostomy reversal. All along, I was also dealing with a small opening along my original surgical wound. The previous November, it had suddenly sprung a leak, and no one had been able to make it heal, or even stop leaking. I clearly remember thinking: I have the legs, an ostomy bag, and a leaking wound to cope with. If only I could get rid of two of these issues — hell, even one of them — it would make life that much easier for me.
So around the time I connected with colorectal surgeon Dr. Kevin Holzman — in my insurance plan, highly rated, and with an office in nearby Clifton, New Jersey — I also went under the care of Dr. Rummana Aslam, wound specialist at the Hackensack Medical Center, to hopefully resolve my ongoing abdominal leak. I was immediately very fond of and very confident in both these doctors. And at one point, the medical establishment worked absolutely beautifully when their two specialties overlapped. Two doctors from two different hospital affiliations were actually communicating with each other for my benefit! It was wonderful.
Dr. Holzman had ordered a fistulagram. The results discovered two fistulas (I’m still not 100% sure what they are, but you don’t want them) that were the cause of my leaking wound. This information altered Dr. Aslam’s treatment plan, and ultimately led me to St. Barnabas Hospital in Livingston in August. Dr. Holzman would perform a total abdominal colectomy — basically, scooping out my colon. This resolved the fistula/leakage issue, and also prepared my innards for reversal surgery.
When I regained consciousness in that hospital stay, I noticed something was different. My ostomy bag, which had been on the right side of my abdomen, was now on the left side of my abdomen. What the…? Apparently, an ulcer that had formed on the right side forced the relocation.
All that work I’d done to find the perfect and perfect-sized wafer and bag was suddenly out the window. I now had to rely on consultation from the ostomy nurses at St. Barnabas’ Center for Wound and Burn Healing. Liz was days away from maternity leave, and I knew she’d be a great mom, because she exuded a maternal quality — I felt totally safe in her care. As she brought out a stoma barrier ring I said, “I’m glad my Kessler wound specialist isn’t here to see this; she hates those things.” Liz smiled, “Oh, that must be Kathy?” Turns out Kathy had previously worked at St. Barnabas. It’s a tight-knit field.
It took a few visits to the Center before we settled on a bag/wafer combo we were happy with. And there was an unexpected benefit to this new stoma. It was closer to the center of my stomach than the previous one. (Would’ve said “closer to my belly button” but I actually lost my navel in that August surgery. Collateral damage.) So I could now sit on a toilet and empty the bag directly into it, just like Shannon had promised way back in Hackensack. So long, shit cup!
BAGGING THE BAG
I got better and better at dealing with the bag — for example, carrying tape with me as possible reinforcement — but it was by no means foolproof. Many outings were made awkward or tense, or nights were suddenly cut short, after unexpected appearances of wetness. Humility always lurked around the corner.
So I was really looking forward to my surgery scheduled for December 26, 2017. (When you and the surgeon are both Jewish, it really frees up the end of the year.) I would be the subject of a laparoscopic Hartmann procedure reversal. I don’t know who Hartmann was, but he has my deep appreciation. This would be… my final surgery!
So when I woke up and noticed that I still had a bag, it was all the more disappointing. Dr. Holzman had warned me about this possibility — that he’d do the lion’s share of the work, but leave the actual “reversal” for a later time — but I hadn’t really processed that. It had all seemed so perfect — end of year, end of bag, fresh starts, yadda-yadda.
Now I really had to focus on some unintended wisdom given to me by my disability attorney, Gail A. Spence. She was trying to dissuade me from pursuing a lot of freelance work when I started receiving disability (as to not set off any alarms at Social Security). Ms. Spence said, “Recovery is your full-time job.” The words would have a much deeper impact for me. Whenever there’s been a delay in “getting better,” or a process has taken much longer than anticipated, I just remind myself that it’s OK: This is my job. And it will take as long as it needs to take.
And when Dr. Holzman explained the reasoning for splitting the surgery into two parts (like the final Harry Potter film), it really did make sense. The surgery was more intense than anticipated, and couldn’t be completed laparoscopically (minimally invasive). The main work was completed: He connected my small intestine to my rectum (or, gut to butt, as I like to say). But Dr. Holzman decided to give this new connection a chance to scar over and heal before truly testing it. In about 5 weeks we’d make sure the new connection wasn’t leaking, and if successful, we could then schedule the reversal for 2-3 weeks later.
BAGGING BAG, TAKE 2
Just to add injury to insult, the stoma I left the hospital with was a little bit different than the one I went in with. And a new stoma meant finding another correctly-sized wafer, and leaking until I did, and the resultant skin irritation, this time leading to a little bit of bleeding into the bag. (What fun!)
On top of this, 2017 had turned to 2018, and Trump scaring the greedy insurance companies meant not only a much higher healthcare premium and higher co-pays, but also new complications: Last year, I could order ostomy supplies with no problems, no delays. This year, the supplier informed me that the insurance company needed 5-7 days to approve my request. Dude, I need the bags now. I was forced to make MacGyver-like modifications to old bags I had lying around until my new shipment finally arrived.
Five weeks after surgery, I had the most painful examination ever (suffice to say, it is not pleasant if a balloon is inflated within you), in which liquid was shot through my system, checking for leaks. The result was good — I was ready for the reversal! And on the morning of February 27, I once again found myself at St. Barnabas, hopefully for the final, final time. Incredibly kind nurse Kim checked me in and gave me self-sanitizing instructions (which I knew pretty well by this point). I was wheeled to the O.R. where anesthesiologist C.J. Chen and crew prepped me while Nirvana’s unplugged version “Where Did You Sleep Last Night” played overhead. Soon enough, I was the one sleeping, and then…
I awoke. And looked down. There was a bandage, but… no bag! I was free! Free! Oh I was so happy. It was a truly glorious feeling. (The lingering effects of the transverse abdominis plane block painkiller didn’t hurt neither.) Was also really pleased that I could now alert my buddy Patrick; he’d kindly agreed to drive over from Hoboken with a big box of no-longer-needed ostomy supplies that I was donating to the Wound Center nurses.
In the short term, there were some fresh challenges and humiliations. By the following morning, I’d pooped through my butt (hooray!!) — first time in 18 months — three times, into a bedpan, requiring nursing assistants to wipe my butt like an infant or invalid senior. Dr. Holzman explained that I’d be… loose and… unpredictable… for a number of weeks. (My small intestine was now playing the role of my colon and had to adjust.) We’d give my system a couple of months to work itself out, and then if needed, he could pharmaceutically reduce my number of daily shits to something more manageable.
My unique challenge, as a double amputee, is this: For a while, I’ll need to get to the bathroom frequently. This is decidedly more difficult when I don’t have my legs on — overnight, for example. So, having been home from the hospital for a week now, I’m leaving my legs on for a greater percentage of the day, which isn’t always super comfortable. And I’m not snacking between meals — let’s get the food in, and out, in a timely manner. Hopefully there’s not much left in me at bedtime.
I haven’t left the apartment yet but today I’ll have to. I’ll likely employ my old “trick” of finishing eating well before departing.
In the long term, I am excited to reintroduce white t-shirts — so easily stained — back into my wardrobe. And I’m eager to wear real pants and shorts, with belts, instead of the gym shorts and sweatpants I’ve favored because they’re loose-fitting around the bag. What a fashion plate I’ll be!
And I’ll once again sit on the toilet and read. It’s been a dependable pleasure that I’ve missed quite a lot.
I’ll finally be focusing on just one medical thing — life with and without prosthetics — and over time, I’ll even focus on that less and less. With my gut out of the way, the next big goal is learning to drive with hand controls. I’ll continue to face life one step at a time, while being so much more aware of issues like accessible restrooms, and fighting for accessibility whenever needed.
My old Amedisys personal-care assistant Patricia used to joke that I had the “cleanest ass in Hoboken.” I was so thrilled to call her up from St. Barnabas and say that I’d now have to hand over that crown to someone else.
Aquarium Playlist, 2/27/18
EPISODE #270: REQUESTS XIII
The Who — “Happy Jack” [THEME]
The Staple Singers — “This May Be the Last Time” [for Sal]
Oingo Boingo — “Insects (live)” [for Acorn Slim]
Josie Cotton — “He Could Be the One” [for Shawn]
Au Pairs — “Headache for Michelle” [for Felice]
INXS — “Listen Like Thieves” [for David S.]
Trembling Blue Stars — “Birthday Girl” [for Abbie]
The Minus 5 — “Tunnel of Lungs” [for Jose]
John Prine — “Everybody Wants To Feel Like You” [for Lois]
Jerry Butler — “I Don’t Want To Hear It Anymore” [for Vanessa]
Mrs. Magician — “Nightlife” [for Charlie]
Iggy Pop — “The Undefeated” [for Deb]
Al Scorch — “Everybody Out” [for Allison]
Laura Cantrell — “Hammer & Nails” [for Audrey]
Mason Williams — “She’s Gone Away” [for Chap]
Stray Cats — “My One Desire” [for Sasha]
T-Bone Burnett — “River of Love” [for Amy]
Sharon Van Etten — “The End of the World” [for Jimmy]
Jack’s Aquarium podcast is proudly recorded in Hoboken, NJ.
Movie Review: Black Panther
4 stars out of 5
I’d heard of Black Panther during my comic-book reading days, but he wasn’t really a big deal back then. Besides, Luke Cage was my black superhero — come on, the guy had a belt made out of a chain! But with everybody in the world saying how great this movie is, and with another little hospital stay staring me in the face, I decided to check it out. Even outside the theater, seeing the poster for Annihilation, I thought, “Oh, that’s the one I really want to see,” but then I’d have to wait another 45 minutes, and that wasn’t going to happen. Black Panther it would be.
Hey, it is as great as everybody says! Not that I’d expect much less from director/co-writer Ryan Coogler, whose two other features — Fruitvale Station and Creed — were both really good. And he loves working with the reliably terrific Michael B. Jordan, one of our best young actors.
In fact, the cast is stacked with top-shelf actors each turning in really strong performances. The title role is played by Chadwick Boseman, who I was first impressed with as Jackie Robinson in 42. (I think I DVR’d Get On Up at some point, but it vanished in The Great Cable-Box Meltdown of 2017.) You don’t doubt for a second that he’s the deserving king of Wakanda. Oscar winner Lupita Nyong’o is his love interest but definitely has her own thing going outside the kingdom as a champion of the downtrodden. Letitia Wright, fresh off a starring role in the recent run of Black Mirror episodes, delivers a positively joyous performance as the king’s sister, who is the Q of Wakanda. Danai Gurira is totally fierce as the Wakanda’s top warrior, ever loyal to the crown. Daniel Kaluuya, so good as the lead in Get Out, is the friendly boyfriend of the fierce warrior, as well as best buds with the king — though he is soon swayed by Michael B.’s challenge to the throne. (What are the odds of a guy being son of Apollo Creed and son of N’Jobu?) Angela Bassett, king’s mom, is appropriately regal. Martin Freeman kind of phones it in as a Token White Guy, but does another pretty decent American accent. Forest Whitaker reluctantly agrees to train down-on-his luck boxer Billy “The Great” Hope… oh wait, that was Southpaw which I also just saw, and quite good I might add. But as in that movie, Whitaker is a wise elder here. And Andy Serkis is so happy he doesn’t have to wear an ape suit that he has a lot of fun as a baddie.
The setting is cool — Coogler and crew have created an awe-inspiring Wakanda where anyone would want to live. The fights are well-staged and smartly filmed — making Creed likely helped — and the action is thrilling throughout. But raising this movie above the ranks of standard comic-book genre exercises is a compelling, mature storyline with a topical, shifting moral center. Is Michael B. Jordan a real villain, or is it just his methods that are questionable? (Young audiences may want to look up Malcolm X’s “Ballot or the Bullet” speech.) Is isolationism acceptable in a world in need? The script even gives lip service to the refugee crisis, though this could’ve been developed more.
My only real problem with this movie is that it exists within the Marvel Universe. Did we genuinely need another Stan Lee cameo? How about not having those little bonus bits during the end credits? It would be so wonderful if this could be a stand-alone, no-sequels film. But no, the character had already showed up in a Captain America movie, and we’re promised he’s in the next Avengers flick, and the box office has been gangbusters so there will definitely be future BP installments, and Coogler is too good a filmmaker to stick around for many — if any — of them, so they’ll turn to shit because that’s what happens. Entropy, we call it.
For the moment, though, let’s just enjoy this excellent film. Black Panther is rightfully being celebrated for its celebration of African culture and spotlight on American black culture — but it’s the grey areas that truly make this movie special.
Aquarium Playlist, 2/20/18
EPISODE #269: WINTER OLYMPICS 2018 (LOVE)
The Who — “Happy Jack” [THEME]
Superchunk — “Winter Games”
Randy Newman — “Korean Parents”
Fire Town — “Carry the Torch”
The Bangles — “Eternal Flame”
Wondermints — “Ski Party”
Paul McCartney — “Figure of Eight”
Warren Zevon featuring David Letterman — “Hit Somebody (The Hockey Song)”
Art Brut — “Ice Hockey”
James Kochalka Superstar w/ the Zambonis — “Hockey Monkey”
The Regrettes — “Bronze”
Puffinboy — “Silver Medal at the Winter Games”
XTC — “Gold”
Jack’s Aquarium podcast is proudly recorded in Hoboken, NJ.
Album Review: ‘Great & Solemn Wild’ by Marybeth D’Amico
4 stars out of 5
Word on the street was that Pat Byrne was releasing an album. Yet it wasn’t from his rocking band They Live!, nor was it selections from his fondly remembered WFMU comedy show Prove It All Night. Rather, Byrne had produced and was releasing a record by a dear friend of his, Marybeth D’Amico. I know Pat Byrne as a lighthearted fellow, but it was with a very heavy heart that he completed this project, for D’Amico had passed away from cancer at age 53 on September 27, 2015.
Maybe Byrne got some unconscious assistance from Bruce Springsteen, who seems to benevolently hover over this album. The liner notes indicate that early in 2015, D’Amico pointed out to friends that Springsteen had recorded demos, which became his classic 1982 album Nebraska, on a 4-track in his New Jersey home. And that now she’d be recording 4-track demos with Pat Byrne in her own Jersey City home. Indeed, the lone cover on Great & Solemn Wild is Nebraska‘s “Reason to Believe.” But while Springsteen made a choice to use his rough demos as the completed record, here it was a matter of necessity.
As the album begins with “Meditation,” D’Amico’s guitar picking recalls U.K. folk greats such as Davey Graham or Bert Jansch. Then she breaks through the humdrum hum of samey-sounding indie folk artists with a truly distinctive voice: so clear, plainspoken, and somehow, both innocent yet knowing. In this opening track, she lists colors, describing her meditation routine, as she tries to escape the harsh realities of the world.
“The Lawnmower Song” reveals a bluesier side of D’Amico, with a deceptive swagger. Considering her medical situation, it’s a heartbreaking listen: “Am I ever coming home, to where angels will enfold me with their wings?” she sings. Late in the song, the guitar briefly drops out as — in a higher register — D’Amico tells us “I feel so all alone,” and instantly we do as well.
“Messages” offers a sunnier but very honest outlook, about self-forgiveness, and enjoying simple, obtainable pleasures in the face of adversity. Likewise, “Inside Out” details putting on a brave face as we fight our exhausting and ultimately private battles. It’s easy to succumb to self-doubt and self-pity, but as she sings in a gentle take on the resilient Springsteen song, “Still at the end of every hard-earned day, people find some reason to believe.”
“Dream” beautifully tells of sailing away with a true love, safe from all storms. Even if it’s just a dream, it’s a good one. After this track is a snippet of “studio chatter” — D’Amico telling one of her daughters that she’s about to do a take. Kudos to Byrne for including this reminder that we’re listening to an intimate home recording, as if to involve us in the proceedings. Next up is “Didn’t Know How,” which sounds like the hit here, with its rousing chorus. The lyrics deal with that most familiar of situations: finally sharing our feelings with someone, difficult as it may be.
The bright-sounding “Reason Why” is alas, another potentially tough listen. The narrator has found happiness, but there’s so much more to say, so much more to do, before saying farewell. A very appropriate bit of studio dialogue is the perfect conclusion to the song.
Finally comes the title track, the lifelong search for answers, and for peace, but coming to terms with the uncertainty and wandering along the way. It’s about being both goal- and process-oriented. There’s a, dare I say it, angelic backing vocal accompanying D’Amico on her journey, until at the very end she is alone again, naturally. The closing lyrics are an emotional punch in the gut.
Like Nebraska, this is a spare and haunting album. But don’t look for too many similarities, because Marybeth D’Amico was a singular talent. With loving help from her friend and producer, Great & Solemn Wild proves it all night.
Jack Silbert, curator